"...but of Love, of Joy and of a Sound Mind."

Now to Him who is able to keep you from stumbling, and to make you stand in the presence of His glory blameless with great joy, to the only God our Savior, through Jesus Christ our Lord, be glory, majesty, dominion and authority, before all time and now and forever. Amen. Jude 24-25

Thursday, January 05, 2006

The drummer, the drum sticks and the drum pads.

Everyone knows that I love drumming eventhough I am not as proficient as I would like to be. Nonetheless I am not disheartened by my limited abilities on the drumset, but I thank God for the opportunity that drumming has created for me. I thank God that I was good enough for my previous band Gloria and thru that band I met great friends and had great memories with them. Through drumimng I drew closer to "the Boyz" and other friends eventhough I cancelled so many of their drum lessons. Through drumming I was able to express myself in worship to God.

Now that I am as good as "bandless" (now I only play occasionally in church or for personal indulgence like that day with Sherwin), I spend more time practicing at home on my drumpad. Of course nothing beats the feeling of playing in a band or on a live drum kit, but with constraints such as living in a HDB flat and not having enough space for a drum kit, I am pretty contented with my 12" e-pad. The pad has helped a great deal as I feel strenth and control in my sticking than ever. This comes after much practice. If YOU have not been practicing and think u are losing it, just pick up the sticks and start tearing a hole on our pillow or couch. Have fun!


That's the drum stick, pad and my namesis, the metronome.

This is the obligatory pose for the camera before I begin.

Practising is enjoying...

... sometimes entertaining..


... it always need disciple...

... sometimes it's painful...

... but it's no pain no gain.

This entry is dedicated to Jon, Gideon, Shaun,

Caleb and all the future drummers in R-age.

2 Comments:

At 10:45 PM, Blogger Elmo said...

ISSUE #16___\__\__\__\__\__________/__/__/__/__/ APRIL, 1998
THE
TEMPO DISPATCH
FREE Newsletter
For Drummers and Drumming Enthusiasts
Copyright Bill Powelson 1998 all rights reserved.

___/__/__/__/__/__________\__\__\__\__\___

'IT'S ALL ABOUT DRUMS'
Tips * Tricks * Hints * Ads * Freebies * Lessons * Gigs?
NOW 1,350+ SUBSCRIBERS!!!
___________________________________________________

"THE TEMPO DISPATCH" is a FREE publication
*** Originating From ***
BILL POWELSON'S SCHOOL OF DRUMS
on the web
Where the Drum Lessons are FREE!
Get entire Drum Leesson at:
http://www.ellistrations.com

___________________________________________________

The focus and intent of this publication
is to unite, enlighten, instruct and entertain all the
percussion enthusiasts of the Internet.

If you wish to receive NO further issues,
simply reply to the address at the top of this message
and type "REMOVE" on the subject line or body of the
message. Your address will be removed immediately.
___________________________________________________

TABLE OF CONTENTS
What is in this issue?
Contents:
1. Feature Article: Feeling The Backbeat
2. Bass Player Joke
3. Drumset Posters
4. Advertisements
5. Musicians Wanted (Free service)
6. Land of Lost URLS

________________________________________________________

LEARNING TO HEAR AND FEEL THE BACKBEATS:

The BACKBEAT is the key to everything rhythmic in
music! My experience with thousands of young beginning
drummers has taught me one thing. Some students seem to
possess a natural feel for the backbeat while others must
be trained to feel it.


VERY IMPORTANT!
The ability to feel the backbeat of a song is crucial
to becoming a drummer. If you feel the backbeat strongly
enough, it is possible to become a drummer without formal
instruction and lessons. Without a special sensitivity for
the backbeat flow in a song, you may never become a drummer,
no matter how many lessons you may take.


If you know what I am talking about and if you possess
this feel for the backbeat already, then this lesson may not
be for you.

This very special lesson is for those of you who do not
know what I am talking about.

WHAT IS THE 'BACKBEAT'?
The backbeat in a song is usually the dominant repeating
snare sound that flows through the music. In all forms
of 4/4 the backbeats are on the counts of 2 & 4 in each bar.

The secret to 'feeling' the backbeat is in developing PATIENT
LISTENING HABITS . . .

DO THIS, NOW . . .
Learn to 'feel' the backbeat . . .

· 1. Let a 4/4 tune play on your stereo system or radio.
(Almost every song you may hear will be in some form of 4/4.)
Find something with a moderate tempo . . . Get a song with a
solid but simple drum part . . . at a medium tempo (not too
fast and not too slow.)

..........................................................
NOTE:
ABOUT 99% OF ALL THE MUSIC PLAYING RIGHT NOW
ON YOUR RADIO IS IN SOME FORM OF 4/4 . . .
..........................................................

· 2. Get one ear into the speaker system or headphones.
· 3. Pick out the dominant, repeating, accented snare sound
in the music. In some complex songs, you may hear additional
snare notes that are falling around the backbeat. Ignore those!

Just listen for the strongest, loudest accented snare notes.
Now clap your hands in-time with these 'BACKBEATS' as the
drummer plays the song. YOU HAVE FOUND IT! Virtually every
song you'll hear will be held together by this 'flowing'
backbeat. The other musicians in the group tend to rely on
the drummers backbeat to get their tempo and timing correct.

Our job (when we do it correctly) is to maintain this 'backbeat'
with 'swiss-watch' precision. If we can't hold it steady . . .
the band usually disintegrates and we get a thumbs down,
'raspberry', haha. (BAD DRUMMER!) But IF we can hold a SOLID
backbeat through out ALL songs . . . we are considered a
WINNER and a candidate for MUCH praise & worship, haha.

REMEMBER THIS, ALWAYS!
It really doesn't matter to the other band members how
FANCY we play! They usually don't give a hoot about that.
They want us to HELP THEM 'FEEL' THE BACKBEATS, while THEY
impress and 'wow' the the world with their own ingenious
and masterful musical techniques. ;>)

So . . . the DRUMMER IN DEMAND is the one who can lay
that backbeat in there with no mistake . . . consistently . . .
throughout EVERY piece of music.

HOW TO 'FEEL' THE BACKBEAT . . .
How do we acquire this indisputable perfection with our
time measurement and 'feel' for the backbeat?
Practice, Practice, Practice (with recorded music!)

Memorize ALL the BASIC 4/4 Dancebeats first (in a future
lesson), then Jam with every conceivable type of recorded
song. Listen for the recorded drummer, ALWAYS. Strive to
acquire an indisputable 'feel' for tempo and a solid 'backbeat',
no matter how softly we may be required to play. This can
prove to be a contradiction at times, with 'some' forms of soft,
laid-back, music.

Anyway, the secret to ALL drumming is buried in this backbeat
concept. The 'backbeat' IS the quintessential 'BACKBONE' of
the music . . . ALL MUSIC. If we feel the backbeat strongly,
and learn to lay it in there dominantly . . . we can BE THE
BEST!

EVERYTHING . . . and I mean EVERYTHING in music is based
around that backbeat flow of the song . . . This includes
fancy fills, complex syncopations and all of the intricate
jazz techniques that a drummer might play. Those other
incidental intricacies just CAN'T HAPPEN until the backbeat
has been established in a commanding way . . . (usually by
the drummer.)

. . . BUT, * NOT ONLY * THE DRUMMER!
The other (rhythm) instruments in the band are normally
working as a team WITH the drummer, to help establish a
solid backbeat flow.

The rhythm guitarist will usually play a 'chucking' rhythm
sound on the backbeats . . . Pianists and keyboard players
will usually compliment the backbeats throughout a song with
repetitious notes (normally played in the higher register)
on the counts of 2 & 4 in 4/4 time . . . ACCENTING
the 'backbeats'.

NOTE:
* 3/4 time usually consists of 2 backbeats per bar on the
counts of 2 & 3.

* 5/4 and other odd time signatures usually
contain 3 or more backbeats per bar. These 'lop-sided' signatures
are only used rarely in jazz and other complex music styles . . .

It is best to stick with common 4/4 music styles in the beginning
until that unique 'feel' for the backbeat has been developed, then
move into 3/4 grooves before progressing on to the really complex
signatures.

ENCOURAGING NEWS!
· We can miss cymbal notes . . . No problem!
· We can blow it with our fancy bass drum licks . . . NO PROBLEM!
· We can omit most of the intricate rhythmic variations! That's OK too.
· The BACKBEAT is the important thing! If we lay it down
PERFECTLY, we are OK! If we don't? Well, we had better enjoy slinging
burgers or pumping gas!

You will find the above to be true in ALL professional
situations. Remember it always!

If you would like to learn to play drumset along
with 50,000,000 (or more) songs within the next
30 minutes, visit this very easy drum set lesson:

http://www.studydrums.com/dapp01.html

NO DRUMS NECESSARY! I'll have you destroying your mouse
though, without mercy! (You'll tap on your computer desk
and pat your foot on the floor.) It's so easy you won't
believe it! Test your drumming aptitude right now! Visit
the web page above. See ya there! (Bill Powelson)

............................................

________________________________________________________
|__________________HUMOROUS STORY________________________|
Bass Player Joke

Near-Death Experience
A bass player had a near death experience that has
changed life his forever.
The other day, he went horseback riding. Everything
was going fine until the horse started bouncing out of control.
He tried with all his might to hang on, but was thrown off.

Just when things could not possibly get worse, his foot
got caught in the stirrup. When this happened, he fell head
first to the ground. His head continued to bounce harder as
the horse did not stop or even slow down.

Just as he was giving up hope and losing consciousness,
the Wal-Mart manager came out and unplugged it.

..........................................

Thanks, Keith (of Keith's Korner).


HOMESTUDY DRUMSET LESSONS
(Complete Course)

USE YOUR COMPUTER TO STUDY DRUMS!
Study anytime . . .
At home via floppy disk (offline),
or study online via secret website.

* DRUMMING TECHNIQUES, Beginner thru ULTRA Advanced.
* For ALL ages, (10 and above).
* Student sets the pace & the schedule.
* Drumset lessons at home on the computer ANY TIME of day.
* Submit questions via E-mail.
* Study drums online via secret website.
* Or, study drums offline via (2) IBM compatible floppy disks,
mailed to your home.
* Also includes optional downloadable zip file of entire drum
course (for offline study).

* THESE PROVEN METHODS REALLY WORK!
(38 years in development)
* This course in drumset techniques also includes FREE additional
lessons via this E-mail newsletter.
* No scheduling hassles and no rush hour traffic. Getting to your
drum lesson is easy. Just turn on the computer!
* Private (E-mail) help too, with your instructor, Bill Powelson.
* Satisfaction guaranteed or your money back. No hassles.

TO SEE THE COMPLETE LIST OF LESSONS IN THE HOMESTUDY PACKAGE,

DIRECT YOUR BROWSER TO:

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Click on FREE DRUM LESSONS

* * * * * *

 
At 1:10 AM, Blogger :)X said...

Wahahah!! This is so FUNNY!!!

 

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